PDF Ebook Idoru, by William Gibson
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Idoru, by William Gibson
PDF Ebook Idoru, by William Gibson
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Amazon.com Review
The author of the ground-breaking science-fiction novels Neuromancer and Virtual Light returns with a fast-paced, high-density, cyber-punk thriller. As prophetic as it is exciting, Idoru takes us to 21st century Tokyo where both the promises of technology and the disasters of cyber-industrialism stand in stark contrast, where the haves and the have-nots find themselves walled apart, and where information and fame are the most valuable and dangerous currencies. When Rez, the lead singer for the rock band Lo/Rez is rumored to be engaged to an "idoru" or "idol singer"--an artificial celebrity creation of information software agents--14-year-old Chia Pet McKenzie is sent by the band's fan club to Tokyo to uncover the facts. At the same time, Colin Laney, a data specialist for Slitscan television, uncovers and publicizes a network scandal. He flees to Tokyo to escape the network's wrath. As Chia struggles to find the truth, Colin struggles to preserve it, in a futuristic society so media-saturated that only computers hold the hope for imagination, hope and spirituality.
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From Publishers Weekly
The founding father of cyberpunk again returns to the techno-decadent 21st century mapped in his other major works (Virtual Light, Neuromancer, etc.). As usual, Gibson offers a richly imagined tale that finds semi-innocents wading hip-deep into trouble. Colin Laney has taken a job in Japan to escape the revenge of his former employer, Slitscan, a kind of corporate gossip-mongerer on the Net that he has crossed out of scruples. Meanwhile, Chia Pet McKenzie is active in the fan clubs for Lo/Rez, a Japanese superstar rock duo; while visiting Japan to investigate some new rumors about the group, she is used to smuggle illegal nanoware to the Russian criminal underground. Both Laney and Chia get caught up in the intrigues swirling about the plans of Rez, one half of the band, to marry Rei Toei, an "idoru" (idol) who exists only in virtual reality. Gibson excels here in creating a warped but comprehensible future saturated with logical yet unexpected technologies. His settings are brilliantly realized, from high-tech hotel rooms and airplanes to the infamous Walled City of Kowloon. The pacing is slower than Virtual Light, but Gibson exhibits his greatest strength: intense speculation, expressed in dramatic form, about the near-term evolution and merging of cultural, social and technological trends, and how they affect character. Dark and disturbing, this novel represents no new departure for Gibson, but a further accretion of the insights that have made him the most precise, and perhaps the most prescient, visionary working in SF today. 100,000 first printing; $100,000 ad/promo; author tour. Copyright 1996 Reed Business Information, Inc.
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Product details
Hardcover: 292 pages
Publisher: Putnam Adult (September 9, 1996)
Language: English
ISBN-10: 0399141308
ISBN-13: 978-0399141300
Product Dimensions:
9.3 x 1.2 x 6.2 inches
Shipping Weight: 1.4 pounds (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
237 customer reviews
Amazon Best Sellers Rank:
#912,534 in Books (See Top 100 in Books)
Having been a young adult in the 90's it was an interesting read given that I lived through what William Gibson was using as his basis for writing. In the 90's everyone was always waiting for "the big one" in California which would either lead to it falling in the ocean or as in this book the rebuilding of what's left. I think people still make jokes about it but for some reason we seemed to have been obsessed with it in the 90's. Pollution and ozone along with rising skin cancer rates as well as AIDS and the cure were all major environmental concerns. Autism wasn't on the radar and as such there is no mention of this population in the book. Were it written today it would probably be as major an issue as AIDS was. His book pretty much projects his vision of the fall out of those episodes mixed with the inevitable increase in technology as well as the dissolution of a middle class. Oh yeah and the rise of reality tv. The internet and future technologies associated with it were still in its infancy in the 90's and pretty much Star Trek tech was what everyone thought of when considering advancements. That is how I remember it anyway. He was spot on when predicting the abuse of personal information and technology. And although we haven't gotten automated to the point of a police state mixed with private security protecting our personal safety, his description of drones (less the weaponry but I'm sure its coming) towards the end to me was pretty accurate considering as far as I knew there was nothing like that in the 90's. But I could be wrong. He accurately predicted a hacking group like "Anonymous" that given the infancy of the internet in 1993 was pretty impressive. This is what I liked about the book. Now on to the problems with it. I don't know if the overly metaphorical high level vocabulary in the first chapter was done to project the mindset of the character, which is my guess given the rest of the book isn't quite as "flowery", but I found it difficult to shlum through it and almost stopped reading before I could get to chapter 2. I don't mind looking up words and increasing my own vocabulary, but the verbiage and descriptions of the scenes around him were so esoteric that I found it difficult to imagine the setting and in doing so couldn't relate with the character at all, but then again maybe that was the point. In which case the author did a good job. The rest of the story wasn't predictable per say, but did lean a lot on stereotypes when constructing the main characters and their predicaments. This is book 1 of a 3 book narrative so I do have 2 more books to go, but quite frankly I probably won't be reading them unless my kid gets assigned it for school, which is why I read this one. The end just wasn't inspiring enough for me to immediately download the next book. Maybe had I read it when it came out I would be more interested in his version of the future, but I'm already living in the future that he was predicting and well there just isn't anything new in his writing that makes me want to read more. On the whole it basically follows the novel formula. Boy meets girl, boy saves girl, girl and boy become attracted. Casualties will occur on the side to make it more interesting. Possible death, psychotic point man and near impossible escapes with a few curve balls thrown in will ensue. The social commentary on the side made through the eyes of a Japanese anthropologist in regards to the development of a community complete with their own stores and restaurants of the poverty stricken people living on whats left of the Golden Gate Bridge mixed with his own personal feelings surrounding the death of a man whose blood carried a cure for Aids was about the only thing that was not "formulae". The "religion" being developed around said man complete with rituals held at funerals on the Golden Gate was also interesting and a lot of time was spent on making that character into a modern "Jesus" complete with his own murder by of course Christian extremist. In identifying the character as a modern Jesus, however, the writer shows his bias towards religion in general. The problem being is that the character being deified didn't do anything but happen to have a mutated strain of AIDS in his blood that was used to create a vaccine, for which he was paid handsomely. There is no moral or spiritual teachings involved with the character at all. He was just a normal guy that happened to have in his blood what everyone needed to be cured of AIDS. So I get that the writer was trying to basically say anyone or anything can become a religion with followers given the right climate mainly a dystopian society with extremely rich people living gluttonous lifestyles while everyone else wallows in the sewers with the leftovers. But that is a very shallow view of religions in general. Sure if you toss the moral/spiritual base you are left with a collective of the insane lead by a greed driven charismatic narcissus whose followers will either kill or indoctrinate you. Since the book was released in the same year that David Koresh and the Branch Davidians along with their eventual demise was headlining every news outlet, I can't help but wonder if his views of religion and its formation, along with the traditions and ceremonies that surround it weren't influenced by this event. An extremist view can be seen in his description of a Christian cult that one of the characters grew up in and is influenced by. No other religion is mentioned in this book and pretty much all Christians are resigned to be cult like extremist. As mentioned before a group of Christian extremist even murder the new "Jesus." But there is a difference between spiritual growth in religion vs the abuse of the human psychy and this is not evident in the writing. He lumps them all in as one without recognizing that a moral and spiritual base is really what started the Christian movement and the traditions ect were what was developed to exploit it. Ironically it is this abuse of traditions and lack of a moral and spiritual base that had taken over Judaism that Jesus warned about most. In that manner I thought his premise on the formation of Christianity and its followers or of any religion was a bit ignorant and biased but I know a lot of people that would readily agree with him. I'm just not one of them.
This isn't the best William Gibson novel, but it is still an enjoyable read, and I was glad to read it again on my Kindle. The Kindle conversion appears to be just fine--unlike some eBooks, this one doesn't have anything glaringly wrong with it and it does attempt to perfectly mimic the layout of the original hardcover that sits on my shelf.Virtual Light is interesting to read today, decades after its publication. Set in San Francisco, the story centers around a bad decision made by a young courier named Chevette and the mad scramble from all sides to pursue the item she stole: a simple pair of glasses. Or are they? Telling you more might spoil the story, so I'll take a moment to mention instead that Gibson writes Virtual Light in his usual prosaic way, but it's a bit more accessible than Neuromancer. Something about the way he constructs metaphors and descriptions isn't going to be as hard to get into, and that may also be its only drawback, in that it won't be as rewarding as when, for example, Neuromancer assumes you know about Trobriand Islanders and how they change money.There's also a bit more fast action here. In Gibson's Cyberpunk San Francisco, the Golden Gate bridge was condemned, and that's when a random moment transformed it into a living community of the homeless, the outcast, and things even stranger. It's a rough world, and Gibson's weaves a microcosm of off-the-grid community that survives in spite of the technological rampancy right outside its ramshackle walls.If you're new to William Gibson's writing or to Cyberpunk fiction, Virtual Light might make a good book to get you into it. Other works of his are better for varying reasons, but I still enjoy reading this one today.
William Gibson's "Virtual Light" is the first book in his "Bridge Trilogy." As I noted in my review of Idoru, I read this first book after having read the second. I'm happy to say that the ordering issue wasn't a problem since the books are almost entirely independent. Similarly, the writing in this book is almost identical to that in Idoru: "Gibson does a fine job here. It's his usual futuristic cyber-type of world, well-written, with good characters. My only complaint is that there's a bit of padding in the book." The word "padding" isn't really correct for this book. Instead, I'd like to characterize the excess verbiage as too much zealousness in describing the world he's created. I guess I'll have to get over that characteristic in Gibson's writing since all of his books that I've read seem to suffer from the same malady. He just seems to want to describe his world regardless of how it interrupts the flow of the story. Anyway, I'm rating the book (barely) at a Very Good 4 stars out of 5. I'd have been happier without out so much descriptive prose, but it's still well worth reading.The books in Gibson's Bridge Trilogy are:1. Virtual Light2. Idoru3. All Tomorrow's Parties
Every sentence in this book is designed to make the author seem cool. It never stops trying to sell itself. It’s horribly dated, already. The future isn’t speculative; it’s 1993 forever - with more and more cyber meth. Maybe there was a story mixed in with the piercing and tattoos and spiked hair but it wasn’t engaging in the least.
I will be recording a podcast episode on this here shortly but a quick and dirty review.I read SnowCrash before this novel and really enjoyed it. After reading this though my rating for SnowCrash has gone down a bit. This novel does dystopian the right way. The world feels so dirty and unfair. A girl makes a poor decision and steals something from the wrong people. That decision leads to a series of actions with an ending that is very satisfying. I will write a bit more once I’ve had a little while to think things through a bit.
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